The Queen of Cuisine -- Regina Charboneau

Photo by Sal Durkin  Used with permission

A steamboat was as beautiful as a wedding cake without the complications.” ~ Mark Twain

One of the happiest sounds I remember as a child was the music of the steam calliope on the Delta Queen as it pulled into and out of Natchez. The boat is mingled in my mind with enchanted summers where the setting sun lit the horizon with impossible colors, the air hummed with the screams of the cicadas and the scent of honeysuckle hung in the heat. Cries of, “River swimp! River swimp!” came from the curb, the shrimp man’s truck loaded with seaweed, ice and shrimp. The voices of our elders called us to supper on the porch. The river and the boat, the aromas of summer and the meals shared with loved ones are all woven together in a tender tableau.

Beginning in April, the strains of the calliope return on the steamer American Queen, bringing with it the culture and the food for which the South is known. And at the helm of the galley will be the Chef de Cuisine, Natchez native, Regina Charboneau, whose award-winning recipes have taken her from Natchez to Alaska to Paris to San Francisco and now back home to the mighty Mississippi where she has created menus reflecting America’s heartland and her Southern heritage.

The true Southern watermelon is a boon apart, and not to be mentioned with commoner things. It is chief of this world’s luxuries, king by the grace of God over all the fruits of the earth. When one has tasted it, he knows what the angels eat. It was not a Southern watermelon that Eve took: we know it because she repented. ~ Mark Twain

Regina says she has Mississippi River water running through her veins. Food and entertaining are there, too. Her father, J.P. Trosclair, came from a long line of fine Louisiana cooks. His gumbo and crawfish étouffée were legendary in Natchez. Her mother came from a long line of Mississippi hostesses.

“It was lucky for my mother that she married a good cook,” says Regina. “She was a charming hostess. She could set a pretty table but she couldn’t cook.”

As for drinking I have no rule about that. When the others drink I like to help; otherwise I remain dry, by habit and preference. ~ Mark Twain

It was an influential combination for Regina, for whom cooking and entertaining is second nature. After attending cooking school in Paris in the late 1970s, Regina moved to Alaska where she served as executive chef at the Tower Club in Anchorage. In the early 1980s she moved to San Francisco where she opened Regina’s at the Regis in the heart of the city’s theater district. It would be the first of several successful restaurants and clubs in the area. She became known for her genuine Southern-style hospitality, and it was here where she first met Christopher Kyte, who owned a company called Uncommon Journeys.

“He had these beautiful vintage train cars,” Regina said, “and he hired me to create menus for the excursions.”

In the summer the table was set in the middle of that shady and breezy floor, and the sumptuous meals — well, it makes me cry to think of them. ~ Mark Twain

It was on an excursion from Oakland to the Sundance Film Festival that author Paul Theroux traveled. He wrote about the trip and his meals prepared by Regina. The story appeared in Gourmet Magazine and in two books since then. Regina has been featured in several magazines, and has appeared on the NBC Today show as well as many NBC, ABC and CBS affiliates. As well as being a regular guest Chef on “P. Allen Smith Gardens” television show, Regina writes a monthly column on Southern food for The Atlantic Monthly Journal’s website. She also recently received a Cooking for Solutions award at the Monterey Bay Aquarium for being an advocate of sustainable seafood.

So it was no surprise that when Kyte and former president of the Delta Queen Steamboat Company, Jeffrey Krida, bought the American Queen to refurbish it and put it back on the river, they thought of Regina.

“Jeff Krida says they got the boat, called me and then found a captain,” Regina says with a laugh.

Chef Regina's vision for the American Queen is to recreate many American Classics using the best ingredients each season and location has to offer while creating some new dishes that will become synonymous with the American Queen.

“I want it to be a culinary experience for the passengers,” she says, “with a nod to the history of food that holds cultural significance to the various stops along the river,” she said. “For example, we’ll feature barbeque and caramel cake in the Delta, gooey buttercake and fried raviolis in St. Louis, French cuisine and a jazz brunch in New Orleans.

Nothing helps scenery like ham and eggs. Ham and eggs, and after these a pipe —— an old, rank, delicious pipe — ham and eggs and scenery, a “down grade,” a flying coach, a fragrant pipe and a contented heart — these make happiness. It is what all the ages have struggled for. ~ Mark Twain

“This is a once-in-a-lifetime experience. No one will want for anything.”

The Mississippi river regions offer a plethora of ingredients to work with sustainable fish and seafood, farm-raised quail, free-range chickens, artisan cheeses, wild pecans, wild honey, wild rice, sweet corn, stone ground corn meals and grits with an abundance of citrus and vegetables.

Perhaps no bread in the world is quite as good as Southern corn bread, and perhaps no bread in the world is quite so bad as the Northern imitation of it. ~ Mark Twain

“The key is to recreate without totally reinventing a classic,” she says. “I want to hold on to the core of what has made a dish an American Classic. Some dishes beg for a modern twist and some are best prepared the way they were meant to originally be prepared with the best ingredients available.

The meals onboard will feature sideboard service.

“You serve yourself what you want,” Regina explained. “You create your own dining experience.”

The centerpiece of Regina’s creations will be the Captain’s Menu, featuring many of Mark Twain’s favorite foods, which he often wrote about.

“I’ve taken his favorite foods, some just as he had them and some with a bit of an updated twist to create a genuine River-Boating menu that I would hope he would be glad to partake of,” she said.

The way that the things were cooked was perhaps the main splendor — particularly a certain few of the dishes. For instance, the corn bread, the hot biscuits and wheatbread, and the fried chicken. These things have never been properly cooked in the North — in fact, no on there thinks it knows how to make corn bread, but this is gross superstition.

She views her task as less is more, with an eye to sustainable foods.

“I’m trying to not just give recipes but I’m setting standards for the quality of food onboard. We’re using a significant amount of organic produce. I’m not an earth mother, but I’m in touch with food and the quality and the health of my family and the people I love. I really do care where my food comes from and I think with the demographics of the people on the boat, it will matter to them as well.

I’m sure if Twain were onboard, he would approve.

Part of the secret of success in life is to eat what you like and let the food fight it out inside. ~ Mark Twain

Elodie Pritchartt lives in Natchez, Mississippi where she saw the river every morning from her bathroom window.  She swam in it, learned to water ski in it and swallowed enough river water to make her immune from every known pathogen to man.  She is looking forward to hearing the calliope again.

The American Queen begins cruising from New Orleans on April 15, with stops at Oak Alley, St. Francisville, Houmas House, Vicksburg, and Regina Charboneau’s hometown of Natchez.
www.GreatAmericanSteamboatCompany.com.

So Rose the Dead

Originally posted in 2009.  I found the following clipping at my great aunt's house on the bluff a few years ago. Couldn't ascertain the date of the publication, which I estimate at sometime in the 1930s.  "So Red the Rose" was published in 1935, so it had to be after that.

The author, Thomas Craven was an art critic with a decidedly jaundiced eye.  You can read about him here.

Enjoy!  It's kind of mean, which is probably why I find it so delicious.


Chicago Herald Examiner
A Sunday Edition

Culture of Natchez
Old Mansions Invaded by Tourists
By Thomas Craven

The spirit of the old South, the languorous, magnetic South, lingers on in the little city of Natchez. Situated on the Mississippi, with wooded hills and a magnificent view of the river and the low green fields of Louisiana, Natchez is waging its last fight against the irresistible forces of the changing world. 

As a commercial center, the town is a tomb, a plaintive echo of past opulence, as the sacred citadel of culture with its aristocratic embellishments. It is a landmark in the history of American manners. Here uncontaminated by the encroachments of modern life, you will find mansions, gardens and great estates and the ancestral pride which is the outstanding glory of the ancient regime.

Natchez is famous for its gardens, and that fame is abundantly justified on every hand, but the old houses, with two or three exceptions, are architectural messes. The houses erected from the fruits of slave labor and in the old days staffed with a retinue of black servants are enormous structures with endless balconies or galleries ornamented profusely with grilled ironwork.

You will see in these time-eaten mansions, some of the finest extant specimens of English silver, old chairs and tables of excellent design and incomparable craftsmanship, and occasionally, family portraits painted by real artists such as Audubon and Gilbert Stuart.

The peculiar appeal of Natchez is not based on the intrinsic excellence of its showplaces, nor can it be attributed to any superiority in matters of taste and artistic discrimination. It arises from the legendary appeal of the Old South; and that lure, critically examined, is rooted in snobbery and fantastic notions of superior breeding. 

Snobbery, of course, is not the exclusive possession of the South. We find it permeating the cultural aspirations of Americans of every locality driving our heightened artists into complete subservience to European standards. But as concerns the actual traditions and deposits of slave-holding lords, the South is still esteemed as the cream of American culture.

For this reason, Natchez attracts to its hallowed atmosphere an annual pilgrimage of culture seekers. Conscious of its superiority and literally bankrupt, the town, in plain language, has been forced to sell its most cherished possession, its culture, to outsiders with money to spend. Every spring a week is set aside for the exploitation of inherited treasures and family pride. 

The far-famed old mansions are thrown open to the public – admission twenty-five cents:  visitors are fed and quartered at reasonable rates in houses which, some years ago, could not be penetrated for love or money: the skeleton in every closet is exhibited for a small consideration; and there are other sources of revenue – costume balls, parades, festivals, and garden parties.

Last spring the PILGRIMAGE netted the town about $40,000 and enabled the mortified aristocrats to carry on another twelve months.

After the curiosity seekers have departed, laden with cultural baggage and sometimes with antique chairs and soup tureens, the aristocrats close the doors of their august abodes and meditate on the glories of a vanished society -- the life described by Stark Young in his fable. SO ROSE THE DEAD.

In a small cemetery plot on a gentle hill in Natchez, Mississippi an elderly crape myrtle weeps Spanish moss.  In the plot stand two broken obelisks, representing two lives cut short. Brothers.

Their broken pillars are joined by their mother’s, which is complete – a life lived full.The plot was once surrounded by an ornate wrought-iron fence, now almost completely gone, leaving only the gate, which seems to warn those who enter that there is much sadness here. 

"Pause before you enter," it seems to say.

Joseph Neibert was 11 years, five months, nine days old when he died a year before his brother, Thomas was born.

On Thomas’s obelisk is the following inscription:

Thomas Bird Neibert

Born August 11, 1836, Natchez, Mississippi

Died June 22, 1858, Carrollton, Louisiana

The following lines written by himself and published in the New Orleans Delta almost two years before his death would seem to have been influenced by a foreshadowing or premonition of his early entrance into that new life which he now so fully enjoys:

A New Life

Ever, ever more regarding
Suns that long have had their setting,
Dreading future steeps to climb
I have lingered faint and weary,
Looking backward to the time
When my being, fresh and cheery,
Hastened onward to its prime.

Now, with brighter visions burning
From the past my spirit turning
In the future seeks its home.
Angel wings are folded o’er me
And I listen, rapt and dumb,
To the loved ones gone before me
While they whisper, “Brother, come.”

One unseen is ever near me,
Buried brother risen in light
With his thrilling angel fingers
Clasped in mine, my way is bright.
And my spirit no more lingers,
Murmuring o’er its springtime flight.

IT is believed that Mr. Neibert either built or at one time owned the antebellum home Choctaw in Natchez.

Soul Survivors 2012

Soul Survivors Festival on Saturday

Big festival in Ferriday, LA tomorrow.  It's the culmination of a $1-million grant and a lot of hard work.  You can read about all the particulars here on the Natchez Democrat website.

Paragon of Prostitutes

Rolla by Henri Gervex (1852 - 1929)

From Natchez Under-the-Hill by Edith Wyatt Moore
Southern Historical Publications, Inc.
Natchez, Mississippi
1958

(The following nonfiction story took place in 1789)

No spot on the American continent ever more a viler name than Natchez-under-the Hill.  Early travelers described it variously as a gambler's paradise, a sink-hole of iniquity and a resort of the damned.  In spite of its black reputation, this early river town was probably no more evil than any other raw frontier. ~ Edith Wyatt Moore

As newcomers arrived [to Natchez] by nearly every boat, it soon became good judgment to ask no questions.  An inquisitive remark or ill-considered jest might bring sudden death.

Eyebrows may have lifted but you may be sure no audible comments were made when the self-styled Madam Aivoges set herself up in a manner so splendid that she might well have been a lady.  Her floors were carpeted with fine rugs and her windows curtained with satin brocades.  Furthermore, she had a spinet.  It came on a Lisbon packet and was delivered to her house by husky slaves.

Olympia by Edouard Manet 1863

The Madam's red curls and grey-green eyes set her apart from the sloe-eyed, raven-haired Latins and kinky-haired octoroons who dwelt nearby, and as if this weren't enough, it was whispered she could read and write.  Some went so far as to say she spoke several languages.

In time her hauteur and the evident scorn she felt for her vulgar, low-browed neighbors aroused their burning curiosity and the sultry passionate hatred of many denizens of the lower town.

Everyone admitted that Madam Aivoges' establishment was the most elegant place ever to exist in Natchez-under-the-Hill.  Built in the Creole manner, it was part brick and part timber with narrow iron-trimmed balconies extending across its facade.  in fact, it looked more like a quiet hotel than a place dedicated to vice.

All of Madam's entertainers were bewitching blondes who behaved in public with such decorum that they were often mistaken for the pampered daughters of rich planters.  As for the Madam, herself, she was always discreet.  Her voice was never raised.  It was low, sweet and well-bred.  And, in spite of their envy and malice, her neighbors admired her extravagantly.

The Spinet by Thomas Wilmer Dewing (1851 - 1938) 

At night, when blood-curdling shrieks and raucous music issued from the nearby catalinas, gambling dens and cheap dance halls, the only sounds heard at the Madam's were soft laughter and the tinkling music of the spinet.

When callers came, as they frequently did, all were secretly inspected through a small aperture in the front door.  If this test proved satisfactory, the portal was thrown open by a liveried attendant.  Some hinted that it opened to his Excellency, the Governor, more often than not.  This place offered the one quiet rendezvous where a lonely man could seek relaxation and sensuous amusement.

River rowdies were never knowingly admitted, but if a ruffian got in by mistake, he was summarily ejected by Carlos, a powerful, hairy-chested, blue-bearded hulk of a man, who acted swiftly and silently.  It was whispered that Carlos guarded the Madam like a bulldog and in spite of his huge frame and somber visage, it was obvious that he served her as a pliant and adoring tool.  Carlos spoke a strange tongue where foreign languages were the rule, not an exception.  When he spoke, no one comprehended and few cared.  Only the Madam understood.

Rumor said Carlos was a deserter from the Bohemian Army and an ex-convict.  Hints, innuendoes and sly gossip kept the old port in a stir, but no one dared speak openly.  Many believed that but for Carlos and the fear he engendered, the Madam's establishment might have been burned by her enemies.

Regardless of local resentment, Madam Aivoges' name eventually became a synonym for elegance.  She was discussed throughout the length and breadth of the Mississippi Valley, yet the veil of secrecy was never entirely stripped from her life.  Her name appears in old Spanish tax lists, but to this good day, no one knows her true origin.  She was the most mysterious character ever linked with Natchez-under-the-Hill.

It has been said that she left Natchez twice a year, always going south by boat.  She wore subdued apparel, was heavily veiled and was usually attended by a colored maid.  Carlos carried her luggage on board but always remained behind to care for the business.  At the end of some four or five weeks, the Madam had a way of returning as quietly as she had departed but no explanations were ever made.

Some even noted that Carlos often rode into the Indian country carrying letters and packages which neighbors suspected were being sent overland by Indian traders.  It was expensive business, but the Madam was literally coining money and no one seemed to care.  Then one warm night in the spring of 1789, the story broke.

The Lafitte Brothers in Dominique's Bar - Artist Unknown

Several hours previously three handsome young blades had stepped from a galley, which ran regularly between New Orleans and Natchez.  Two of the visitors were well known as the twin sons of an aristocratic planter in the Second Creek section.  They had been attending an exclusive school in a seaboard city of the United States.  The third, a stalwart, auburn -haired stranger, was shy and diffident in spite of his rich apparel.

It was established that the three had been classmates and fast friends.  When their school closed unexpectedly due to an epidemic, the DuForest brothers insisted that Juan De Lovis accompany them to far-off Natchez.  The invitation was avidly accepted because Juan had a burning desire to see this rich Spanish capital.  In the first place, he dreaded the loneliness of being left behind.  And, secondly, his lovely mother lived on a plantation somewhere near Natchez.  She never failed to captivate all of his friends when she visited him at school.  Now, it was his turn to meet her friends.  Once in Natchez he'd seek her out and give her the surprise of a lifetime.

As the voyage began, Juan's mind was filled with happy anticipation.  He would lose no time in locating his mother, and what fun it would be to arrive unannounced.  As the hours slipped by, troubled thoughts began to intrude; vague memories haunted him and he suddenly realized that he'd been at sea before.  Then came crowding questions that he'd dared not ask till now.  Who was he and what did he really know of himself?  Why had he never seen his father or been permitted to visit his home like the other boys?

The lavish provision made for his support and education suggested a family of ample means.  Perhaps he was the lost heir to some disputed title, or the son of an important political exile.  Better still, he might even be the banished pretender of a puppet throne.  If not, why all this mystery and deep secrecy?

His mother always laughed and put him off by promising to explain everything at a proper time.  to his way of thinking, now was the time.  He was growing acutely sensitive.  This ignorance was gradually building a wall between himself and others and was fast setting him apart as an eccentric nobody.  Half-forgotten scenes tormented him.  He was constantly trying to remember something and he was filled with apprehensive doubts, fears and speculations.

Port of New Orleans
Detail of lithograph by D.W. Moody

In New Orleans they were lucky enough to board a Government galley which speeded their arrival in Natchez.  Strolling up the street to the Kentucky Tavern, then the most respectable stopping place in the port city, they deposited their luggage with the proprietor.  From there they hurried to the Government House to make the customary report of their presence in the province.  here they chatted with the affable Governor who offered to send a messenger out to the DuForest plantation, notifying them of their arrival. It would require at least two days for all of this to happen, but whoever heard of the word hurry during the Spanish era?  In the meantime, Nick argued, why not have a fling in Natchez-under-the-Hill?  After all, this would be their only chance.  once home they'd be caught up in a round of gaiety.

On return to the hotel, they told their plans to the proprietor, who seemed anxious.  "No man in this town ventures out after dark without proper arms," he told them.  "This place is infested with robbers and cutthroats and there are houses along the brink of the river where people disappear forever.  Young men are lured inside and murdered.  Their bodies are stripped and dropped in the water.  That's usually the end of them."

At his insistence, the young men armed themselves with pistols and dirks, then set out of a notorious beer garden beneath the upper bluffs.  For a time they were enchanted.  Flambeaux flickered in a huge vine-covered pavilion and dancing strumpets kept time to tinkling tambourines.  Men from all climes were there.  Several wore turbans and others had 'kerchiefs tied on their heads in pirate fashion.  Shrieking parrots roosted on low rafters and another exotic touch was added by gay cockatoos that fanned their wings and frequently lit on the shoulders of customers.  It was so weird and unnatural, that the young men grew tired of the blatant music and odorous fumes.  "Let's go to Madam Aivoges'," Nathaniel suggested.  "I've heard her wines are excellent and her entertainers beautiful."

"Yes," Nick urged, "its the most elegant place on the river and Juan mustn't miss it."

Following inspection they were ushered in with formal politeness.


"Be seated, gentlemen," the servant said, "and I'll announce you to the Madam."

The room was dimly lighted but they noted that it was richly furnished.  Then they became conscious of several other visitors lounging on comfortable chairs.  Suddenly a tall, dark-eyed fellow recognized the Du Forest brothers.

"Jehoshaphat!" he exclaimed.  "This is a surprise.  I didn't know you were in this part of the world."

After handshakes and proper introductions, he went on to say, "Don't tell me you've never met Madam Aivoges?  By Jove, you've missed a lot.  She's the toast of the river.  For two thousand miles up and down our waterways she's known as the most fascinating and mysterious woman of the underworld.  Her past is sealed but some say she's a countess from Hungary.  Others believe she's the illegitimate daughter of a Belgian prince.  I wouldn't be surprised at anything told of her.  She's incredible!"

"Yes," one of the others agreed.  "Some say she has a respectable family whom she visits annually."

At that moment light footsteps were heard and all eyes turned toward the door.  Then each man rose to his feet as if to greet some grand dame.  The curtains parted and in walked this paragon of prostitutes.  her copper-colored curls were piled high and she wore a shimmering, Nile green satin with billowy panniers.  A frothy lace 'kerchief was pinned over her bare shoulders to form a bertha and her tapering fingers glittered with diamonds.

Hers was a fragile beauty that all men love and Juan and his friends gave an audible gasp as she turned her face toward them.  For an instant her eyes met Juan's. The young man's blood ran cold.  He couldn't believe it.  Surely he was drunk or having hallucinations.  This couldn't be his mother.  his mother in a brothel!  he must be stark raving mad!

She started to speak, but the words died on her lips and a deep flush spread to the roots of her red-gold hair.  Then her grey-green eyes turned dark with wordless shame.  As the awful truth dawned on Juan he gave a heartbroken cry.  "My God, Mother, I'd rather see you dead!"

Then he suddenly saw red.  Shaking with rage he made a swift move and before others could forestall him, leveled a pistol at her breast and fired.  She crumpled at his feet, her hands held up in supplication.  Then she gave a deep sigh and between quivering lips whispered, "My son, please believe it was for you."

The onlookers were stunned.  Then someone shouted, "We've got to get out of here!  Get Juan out!"

But at that moment they heard heavy lunging footsteps and a bellowing sound as though a raging bull were charging them.  Again the curtains parted and Carlos stood there, half clad and grimly fierce.

As he looked at his dead mistress, a swift stream of unintelligible words came from his loose lips and anger flashed from beneath his beetling brows.  When his lips moved again, the sound was a hiss.  Juan knew him instantly.

This was the dreadful man linked with his early childhood.  For an eternity they stood in tense silence as Carlos' burning eyes slowly traveled from face to face.  Then his eyes met Juan's and a swift light of recognition instantly turned to one of hate.

The next moment he gave a roar, raised a murderous knife and lunged at Juan.  Seeming not to care, Juan stood his ground but Nick acted in his defense.  Firing point blank the ball passed through Carlos' thick neck.  They saw the big man reel, stumble and fall backward as a torrent of blood spurted from his jugular vein.  It gushed over the floor and soaked the satin clad figure at their feet.  They could even hear it gurgle as he struggled for breath.  It was a sickening spectacle.

"Why didn't you let him kill me?" Juan shouted in an anguished tone.  "I want to die.  It's the only solution."

"I'm your friend," Nick whispered.  Then seizing the unhappy youth by the arm he attempted to guide him from the room.  "Come," the others urged, "we must hurry."

By that time all Natchez-under-the-Hill was seething with excitement.  For the first time shots had been heard in Madam Avioges' house.  Crowds commenced milling around and a moment later the military police arrived.

"I did it," Juan shrieked hysterically.  "I alone am guilty."

"He lies," Nathaniel spoke with studied calm.  "He has had too much whiskey and doesn't know what he is saying.  It was really an act of self-defense."

"Yes," the others agreed.  "It was plainly a case of self-defense."

"Save your breath," one of the guards ordered.  "You ain't on trial yet."

"Please take us to his excellency," Nicholas pleaded.  "He'll listen to us because he knows us.  He'll never believe we are guilty of a willful crime."

The guard laughed.  "You may be find gentlemen," one said, "but you'll get the same works all others get.  We are taking you to the guardhouse where all offenders go."  Then he snarled, "Who ever heard of rousing the Governor at this late hour?"

They clopped up the hill in double-quick time, and on reaching the portcullis of the fort, were amazed to find his Excellency there.  He was mounting his horse and looked weary.  "What's all this damnable racket?" he shouted in exasperation.  Then, as the cavalcade drew nearer, he recognized his young callers of the afternoon and a shade of deep anxiety crossed his face.  Wheeling his horse about, he dismounted and ordered the prisoners taken to the orderly room.  As the frightened, wild-eyed group stepped inside, they found torches still burning and a tired disheveled aid-major humped over a ponderous desk.

The governor spoke brusquely, "Be seated!"  Then, turning to his aid-major, he said, "It won't be necessary to record this hearing."

The major rose, clicked his heels and quietly left the room.  Then facing his prisoners, the Governor asked, "Now, what's all this mess and excitement about?"

Stephen Minor, Spanish Governor of Natchez in 1792.  Not the governor in this story, but close enough for me.

Haltingly and brokenly Juan told his story.  At intervals his voice broke and he sought to control the sob-like gasps that cut his breath short.

Perhaps the youths were too deeply engrossed with their own misery to note the pallor of His Excellency's face.  Listening intently as Juan talked, his fine eyes grew somber and his mouth grim.  It was all too evident that the lad was desperate.  His faith had been betrayed and his hopes shattered.  Furthermore, he was filled with deep remorse at his own impulsive action.  "I'll plead guilty your Honor, and take the consequences," he whispered with trembling lips.  "I have nothing to live for," he added, "so the sooner I am executed the better."

Bending a look of deep compassion on the lad, the Governor gave his shoulder a reassuring pat and said, "You did exactly what I might have done in your place."

Getting to his feet, the worried Governor paced the room, his spurs rattling at every step.  For what seemed an eternity, the watchers sat with bated breath.  Their fate rested in this man's hands, and they'd always heard a Spanish Governor was unpredictable.

At length His Excellency stopped in front of Juan.  "For the sake of all concerned," he said, "this matter must be hushed up.  you shall escape to some far country and begin life all over again."

Juan gave a quivering sigh as he ran nervous fingers through his hair.  The Governor's face was sympathetic, but he spoke sternly, "In my opinion you have suffered enough, but if I take this responsibility, you must agree to obey my orders implicitly."  Juan winced, then finally nodded assent.  The Governor went on.  "Since you are unknown, there is little danger of detection, but to make sure, I shall obtain a disguise and arrange for your passage.  Then, after you have reached a safe distance, I shall properly denounce you and offer a reward for your capture."  The boys thanked him humbly.

Perhaps His Excellency was merely touched by the stark tragedy of the stranger's story.  On the other hand, many have hinted that he had a deeper and more personal interest in Juan's heartbreak than would bear close scrutiny.

The next morning at the first grey streak of dawn, the Governor's own galley drew up at the landing.  A moment later a group of men came down the hill.  After brief farewells and handshakes, one lone passenger went on board.  He wore Spanish regimentals, carried military orders and was armed with a passport to Habana de Cuba.

In his pocket was an order for cash on demand.  It was signed by the Civil and Military Governor of the Post and District of Natchez.  The galley hastily pulled out before denizens Under-the-Hill were aware that something unusual was happening.  Only one or two knew that Juan was gone, never to return again.

For 150 years (220 years now) Madam Aivoges' bizarre story has been whispered as a choice tidbit, but her origin still remains a mystery, and as though a partner in the intrigue, the Mississippi has greedily made way with the site of her establishment.  Perhaps it is better so.

Henry Lewis - Mississippi River

Just Do It

Okay, I've never done this before...just posted a random something from another site, but this is so awesome I just had to do it.  Enjoy.

Muddy Water and Blues

Soul Survivors

By Elodie Pritchartt

The Spring of 2011 was hot, and the Mississippi River was straining against the levees as a massive surge of water — snowmelt from the North — made its way toward the Gulf of Mexico, a flood the size of which hadn’t been seen since the 1920s. The river pushed more than just water.  Deer, possums, alligators and pit vipers fled the rising waters and I thought of Randy Newman’s song, “Louisiana 1927.”

Rained real hard and it rained for a real long time

Six feet of water in the streets of Evangeline

The only difference this time was the lack of rain, and while the prison crews in their black-and-white striped jail suits worked ‘round the clock to fortify and raise the levees, sprinklers irrigated the corn and soybean fields on the other side. Who ever heard of a drought and a flood at the same time?  It’s always some damned thing.

They almost called the whole thing off, but the levees held.  And when Ferriday, Louisiana, hosted its second Soul Survivors Festival, it was a triumph.  We were all survivors. 

Gathered under the cool shade of Rockabilly Plaza, locals and visitors from New York, St. Louis and beyond were there to enjoy the music of Ferriday’s oldest Soul Survivors who all had one thing in common: Haney’s Big House.

Li'l Poochie

YZ Ealey, Hezekiah Early, Li’l Poochie, Gray Montgomery, Elmore “Elmo” Williams and Jimmy Anderson had either played there or been there back in the 1950s and 1960s when it was one of the hottest clubs on the Chitlin’ Circuit —  B.B. King, Solomon Burke, Ray Charles, Fats Domino, Irma Thomas, Bobby “Blue” Bland, Johnnie Taylor, even comedians Redd Foxx and Moms Mabley and others all performed at Haney’s.

It was at Haney’s where trombonist Pee Wee Whittaker would sneak a little boy named Jerry Lee Lewis into the back door so he could hear and see the performers whose sounds would influence his own boogie-woogie and rockabilly styles on the piano.

Hezekiah Early

The Soul Survivors are well known in their own rights for their contributions to music in the Delta with each having a place on one of the many Blues Markers that make up The Mississippi Blues Trail, a project of the Mississippi Blues Commission that marks historical sites related to the birth and growth of the Blues in Mississippi.  www.msbluestrail.org.

We had gathered to hear and honor these men on that muggy, fecund Louisiana day.  Festival organizer Tommy Polk had arranged to give them each an award, after which we all settled in for a treat and a bit of history in the making as it marked the first time they had all played on stage together.  The only one missing was Jimmy Anderson who, due to health concerns, was unable to attend.  

Elmo Williams

Hezekiah Early, 77, is a vocalist who plays guitar, drums and harmonica. The son of a sharecropper he still owns his first guitar. He built it, himself, from a wooden cheese box his father brought home.  He played society parties in Natchez, Mississippi, and in the house band at Haney’s.  His recording of a blues album led to a gig at the 1984 World’s Fair followed by fourteen overseas tours — virtually all of Western Europe and Japan.  He’s toured the United States, extensively, the largest performance on July 4, 1986, at the Smithsonian in Washington, DC, before 1.5 million people.

“It was so many people, it was frightening,” he recalled.  “It was unpredictable.”

A far cry from the simple days as a sharecropper’s son playing at picnics under the oaks.

YZ Ealey

YZ Ealey — his real name — learned to play on a guitar his brother brought home in 1946 when YZ was nine years old. After his brother left for Korea, YZ started playing at home with another brother, Melwin, a church deacon, singing and performing religious songs, then later at parties in the country playing rhythm and blues.

YZ Ealy

In 1959 after a four-year stint in the navy, YZ returned home and formed his first band with his brothers Melwin and Theodis, and three other musicians — YZ Ealey and the Merrymakers.

They played clubs, high schools, and dignitary functions all around the Miss-Lou (Misssissippi/Louisiana) area.  During the same time, they were the house band for three years at Haney’s Big House.

Guitar player in the YZ Ealey band.

YZ has worked as a longshoreman in New Orleans, and on the factory lines at Diamond International and Armstrong Tire & Rubber in Natchez.  But his fondest memories are of Haney’s.

“People would come from far and near,” he said.  “People who lived far away would always look forward to going to Haney’s Big House.  It was fun.  You could look up while you’re playing and see one of your old friends that lives in Chicago, New York, Memphis, California.  You could always see an old face.  It added a joy to your playing, you know?”

YZ’s favorite music is Country and Blues, his favorite artists Little Milton and Albert King.  He loves the Blues, calling it “born music.”

“It’s so real,” he says.  “Because, you see, it started from slavery when all a person could do was work. You had no privileges.  You had no other way to find contentment or satisfaction but just hum it out or sing it out.  And all that was natural.  And anything that’s natural is real.  You see?

“That’s a time of depression.  But when you’re joyful it’s expressed the same way. So that’s reality again.  When your heart aches, you express it the same way.  Reality again.  Depression. Women. Good times.  That’s what the Blues is all about.  A sack full of reality.”

Gray Montgomery

Gray Montgomery, a guitarist, drummer and harmonica player is the only white man in the group, and at 84, also the oldest. And about to become a newlywed.  Life hasn’t slowed him down.

He started playing when he was fourteen.  A boy from Texas moved into town with a guitar and a repertoire of songs and stole his girlfriend away.

“So I says, ‘Well, look at this,” he says in a gentle Southern dialect. “ And I got me a gi-tah [sic].”

It was his brother’s guitar.  And it wasn’t long before he was the better player. He studied the older men, in particular a black man who worked for his mother named George Jackson.  They lived in a little house on the outskirts of town next to five other houses occupied by blacks and a small juke joint — the Airport Inn Grocery with a jukebox in the back playing Lightnin’ Hopkins and Muddy Waters.

He says he can still hear George playing in the kitchen:

Dey’s a rabbit in a hollow log

Ain’t got no rabbit dog

Gone shoot him with my .44

‘fo day.

“He would pick it out and bend those strings and make that Blues sound,” Montgomery says, demonstrating the twang of the strings with his tongue.

As an adult, Montgomery played clubs in Natchez in a band called Billy Tabbs & Western Swing Band for $5 a night.  He also had a radio show. 

Jimmy Anderson

“We needed a piano player at the radio show,” he says.  “So one day Jerry Lee Lewis came over.  But all he played was church music.” 

So Montgomery hired him on as a drummer and hired a blind black man named Paul Whitehead on piano.  He remembers one night, in particular.  An intoxicated man came up to the bandstand and asked Jerry Lee if they’d play “Down Yonder.” 

According to Montgomery, Jerry Lee told him they didn’t play it. 

“Don’t tell him we can’t play that,” Montgomery said. 

“He’s just a drunk,” said Jerry Lee.  “He’s crazy.”

Photo Credit:  August Thompson for The Concordia Sentinel

“I said, ‘Jerry, without drunk, crazy people we wouldn’t have a job.’  He didn’t like me much after that.”

Although he never played at Haney’s, Montgomery played in black juke joints all over Mississippi with Papa George Lightfoot.

“If you’re a musician, your race, color, origin, don’t matter. I learned something real good about my life, being white and associating with the black people.  It don’t take money, wealth, background….it don’t take any of that to make you happy.  I’ve seen so many black people that didn’t have nothing, and they were happy.  They’d sing and laugh and slap their knees.  Laughter is good medicine.  You’ll live a long time if you laugh a lot.”

ferridaymusic.com

It works for him.

This year's Soul Survivor Festival takes place on May 26 in Ferriday.  For more information, see the Soul Survivor's Facebook page as well as the website at www.ferridaymusic.com.

* This post dates from 2011.  Soul Survival Festival is no longer being observed.