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Sunday, March 21, 2010

Race Relations



Before I moved back to Mississippi from Los Angeles, visits home were exhausting. It was impossible to see everyone I wanted to see during the week or so I was here. Sometimes, I wouldn’t let people know I was home, as it was often just more than I could do to make time for a visit. Away from LA, all I wanted was to stay in the country where it was quiet and beautiful and serene. One of the people I always tried to see, though, was Dorothy Smoot.

Dorothy worked as a housekeeper for us for several years. She and her husband owned Smoot’s Grocery on the bluff. Dorothy was a sweet, good-natured woman who chattered a blue streak while she worked.

She was working for us when my sister came home from physical rehab in Jackson, where she’d been dealing with the grim reality of a spinal-cord injury. Depressed and upset with having to face a life very different from the one she’d always imagined, my sister was a captive audience for Dorothy’s chatter, and sometimes snapped at her.

But Dorothy meant well, and was doing things for all of us that many people wouldn’t have done, so I went out of my way to be nice to her. At first, I’ll admit it might have been simply guilt, but soon Dorothy and I got to really know each other and became friends. She loved me and I loved her.

When I brought my new baby girl home for the first time, she brought her own two daughters – Patrice and Kamill — out to the house. One was in junior college and one in high school. After her husband’s death, Dorothy did what she had to do to give her girls a home and an education, and she did a damned good job.

Still heavy with the weight I’d gained during the pregnancy, I started down the back stairs to meet them. About halfway down I overheard Dorothy talking to her girls.

"I wants you to meet Miss Elodie. She be so nice."

Smiling, I came into the kitchen to give Dorothy a hug and meet the two beautiful little girls of whom she was so proud.

"Oooweee! Miss Elodie, lookit you. You done got fat! Ain't she fat? Lookit them thighs! Don't she look fine!"

I’ve always had a problem with my weight. And a comment like that from anybody else would’ve made me burst into tears, but I knew she’d meant it as a compliment. I had some donkadonk in my badonkadonk. It was funny and sweet, and I laughed and agreed on how fine I surely looked.

Fortunately I'm not quite so "fine" anymore. Not that anybody would rush me off to the anorexia clinic, but at least I don't waddle. Her daughters were beautiful and well spoken and Dorothy had every right to be proud of them. They were both straight-A students and one of them had just gotten a scholarship. The other was about to join the armed services.

Dorothy always baked a German chocolate cake for me when I came home. I guess she wanted to make sure I kept my badonkadonk in good order. Over the years, we exchanged Christmas and Easter cards with pictures of our respective children and news of our families and lives.

In 2006 I came home to visit. I’d been home several times in the last couple of years and had been so busy with hasty family business and other long-forgotten excuses that I hadn’t called Dorothy. And I felt guilty about it. So on this particular visit, I’d just gotten home. It was Friday evening, and Daddy and I were driving around town.

I loved those drives with Daddy, listening to his stories. I’d bring a little voice-activated tape recorder and surreptitiously turn it on, and set it down on the seat between us, hidden under a magazine or a scarf.

“You see that house up there on the hill,” he’d say.  “Your great-great grandfather built that. It was a boarding house.”

Riding along, he’d point to another house: “The woman who lived there had a child that no one knew about.”

I’d heard the stories before, but I loved them even in the retelling.

“An old colored man told me that,” he’d say. "I used to work on the river with them years ago,” he’d continue. “They told me things they wouldn’t tell other white folks.”

“That reminds, me,” I said, “Don’t let me forget to call Dorothy in the morning. I didn’t call her the last couple of times I was home, and I feel bad about it.”

He promised he would.

Every morning Daddy walks down the long gravel driveway to the front gate to pick up the paper and get a little exercise and Saturday morning was no different. I was upstairs checking my e-mail when I heard the slap of the front-door screen.

"Elodie? Where are you?"

"Up here!"

Daddy came upstairs and handed me the paper, a grim expression on his face.

Obituary: Dorothy Smoot Natchez -- Funeral arrangements for Dorothy Smoot, 72, of Natchez, who died Thursday March 9, 2006, in Plano, Texas, are incomplete at Webb Funeral Home.

I looked up Dorothy’s Natchez phone number and called it. Her daughter, now grown and with children of her own, told me Dorothy had moved to Dallas to live with her, where she taught school. A few months earlier, she'd learned she had colon cancer.

"Mama was doing fine until just about a month ago, and then she just went downhill real fast."

“I was just about to call her to say hello,” I said, my voice breaking. “I was just going to invite her over to visit. Oh, I’m so, so sorry.”

Daddy and I went to the viewing the next day, and Dorothy looked good. I've always thought that was such a weird thing to say about someone who's dead, but you know, it’s comforting somehow to be able to see a person one last time and have them look in death the way they looked in life.

Her children were there and seemed genuinely pleased that we'd come. They made a big fuss over Daddy, who never seems to age, and who clearly enjoys being told so.

Although it had been a good seventeen years or so since they'd seen him, they knew him the second he walked in, and talked about how they used to enjoy listening to his stories, which were always entertaining and somewhat scandalous. They still are. I guess while I was in Los Angeles, he’d gotten to know Dorothy and her children even better than I had.

It was nice to see them. They were all grown up and had two beautiful children with them. Daddy and I were the only white people there.

Right after we arrived, a wizened old woman came in, pushing a walker accompanied by her son. She looked ancient and tiny and fragile. Tricia, the younger daughter, turned to her sister and said, "Oh, look, Kamill. It's Miss Elodie."

Well over a hundred years ago, my great-great grandparents were slaveowners. Thomas Rose was a master carpenter. It was he who designed and built Stanton Hall here in Natchez. Occasionally, he would give parties at his house for his slaves called darkey balls, inviting other slaves from the area. He had a daughter named Elodie.

I’m told that sometimes slaves would name their children after their owners, and I’ve heard that although I am one of only two white women in town named Elodie, there are a number of black women, most of them elderly, who also bear the name.

Standing there with the old woman, I felt a connection with history that was almost electric, one part guilt, but also one part kinship and the gladness that comes from knowing things can change. I wanted to say something to her, but she didn’t know me and would have only thought it strange.

We stayed a little while. My father spoke to several people he knew. Several came up to speak to him whom he couldn't place, but at 80 years old, that's to be expected. But they were glad to see him, enthusiastically shaking his hand and reminding him of how they knew each other. I was glad we went, and Daddy was, too.

We went out afterwards for a drink on the bluff overlooking the river, a shining silver ribbon down below.  We were in a building another great-grandfather had once owned, and watched as the sky turned that color of pink one finds on the inside of conch shells -- color and history all around us.
* Photograph, unknown.  I wanted to find a photo of Dorothy, but I haven't been able to yet.  When and if I do, I'll replace this one.

Sunday, March 14, 2010

Natchez Pilgrimage, 1939


  For the past couple of weeks, a little-known short film about the Natchez Pilgrimage has gone viral among present and former Natchezians. At eight minutes long, it's a brief but fascinating look back to the origins of those wonderful, strange and touching rituals known as the Natchez Pilgrimage and the Tableaux.

Watching this film, I realized not only how much Natchez and many of its traditions have remained constant over the years, but also how much has changed. Yes, little boys and girls still dance around the Maypole for tourists to the same music they did 60 years ago, but no longer does anyone give credence the stereotypical, dancing, lighthearted Negro portrayed in the film. There's something good in both of those things.

A few days after seeing it, I ran into one of my parents' contemporaries, Kathie Blankenstein. I asked if she'd seen it. Not only had she seen it, she'd participated in it. I asked her if she would mind sending me any information she might have about the movie.

"I do, in fact, know a good bit about this film," she said in a follow-up email.

It was Kathie's mother, Lillie Vidal Boatner, who was largely responsible for getting the film made.

"This was at a time when the Natchez Garden Club and the Pilgrimage Garden Club were sparring with each other," said Kathie. "Each had half of the month to present the Pilgrimage. Mother was the executive secretary for the Natchez Garden Club, and she and the president of the club, Mrs. Joseph (Harriette) Dixon were in charge of getting publicity to have tourists visit during their club’s dates of Pilgrimage.

James A. Fitzpatrick was a movie producer, director, writer, and narrator, who specialized in filming travel documentaries, which MGM distributed as a series called "Fitzpatrick Traveltalks" and "Voice of the Globe." They were entertaining shorts that usually played just before the feature film in movie houses all over the United States and abroad.

"They dared ask Metro Goldwyn Mayer to include Natchez in its Voice of the Globe series," said Kathie. "As a result of the badgering by these intrepid ladies, MGM agreed to send Fitzpatrick and his crew to Natchez."

According to Kathie, the resulting movie was recorded in five different languages and was shown in 17,000 theaters throughout the world.

Fitzpatrick was so impressed with Natchez he persuaded Hollywood to return him here to film background scenes for Gone With The Wind.

In 1982, Kathie's mother wrote MGM and asked if they would lend her a copy of the film so that she chould show it at a Natchez Garden Club meeting. After much correspondence they agreed to lend her a copy.


"I remember how excited we were to open the package," said Kathie. "We found that film was only able to be shown on regular movie theatre projectors, so she had to arrange for it to be shown at the local cinema."

Years later, Turner Broadcasting obtained the rights to all of Fitzpatrick’s Traveltalks from MGM.

"In 2002 I obtained a video copy from someone I knew who worked for Turner. I used it, along with several other films of the Pilgrimage, including some of Dr. Benoist’s home movies, for a Natchez Garden Club program I was responsible for."

Thanks to Kathie's generosity, all of you who've been wondering who these long-ago participants are can satisfy your curiosity with a scene-by-scene breakdown of the film.   If anyone knows who might be able to give us the identities of the African-Americans in the film, please let me know.  Enjoy.

OPENING SCENES: Mississippi River; Learned’s Lumber Yard; Ferryboat before bridge was built;

DOWNTOWN: Court House (red roof); Notice Priest’s House across Market St. before NGC moved it; Salvo & Berdon Candy Co., now gone; Main St. toward river – old Fire Station now gone.

SCENES OF HOMES: “Dunleith” ; “Rosalie”; “Ravenna”; “The House on Ellicott Hill” then called “Connelly’s Tavern” - lady raising flag and saluting is Blanche Robinson. Couldn’t identify others.

“Edgewood” – PICNIC SCENE with children. TEAPARTY SCENE Left to Right: standing – Jeff Lambdin, Waldo Lambdin; seated -Harriet Geisenberger Shields, Kathie Boatner Blankenstein (serving tea); Clare Geisenberger Eidt (walking up w/cookies); couldn’t identify other children playing “Ring Around the Rosie”.

“Inglewood” front steps- couldn’t identify ladies; “The Briars” exterior, interior with stairway & piano; “Melrose” interior. Elderly African American (seated) in red bandana with child is Jane Johnson who lived and worked at “Melrose” for many years.

1939 TABLEAUX REENACTED ON LAWN AT “MELROSE”:

“The Hunt” – Hounds used in those days usually were those of Mr. Toto Passavanti. Many Natchez businessmen participated in the Hunt tableau.

Martha Hootsell dancing as “Audubon, the Dancing Master.”

Other dancers are the “Royal Ballet” trained by Miss Treeby Poole. Dancers include Marie Zuccaro Perkins, Agnes Whit, Catherine Ashford, Mary Regina Prothero, Margaret Laub Cooper, Willie May Nichols, Helen Feltus; Children coming down steps include Harriet Geisenberger Shields (in hat) & Ann Metcalfe Lanneau (dark curls). King and Queen (called “Bride and Groom) are Marjorie Hogue Hodges and Hicks Parker. Page was Albert Metcalfe. Margaret White in court.

FINAL SCENE - Sunset over Mississippi River. Couple are Tom Green and his sister Isabelle.

Okay that last scene was of siblings?  That’s just wrong in so many ways. No wonder everybody wonders whether you’ll still be cousins after the divorce.
























































Monday, February 22, 2010

Matters Familias ~~ Howard Pritchartt ~~ Adventures in World War II

*Photo by Hannah Reel for The Natchez Democrat.  Republished with permission.

With an article coming up in The Natchez Democrat as well as a recently published article in Country Roads, my dad, Howard Pritchartt, Jr., is getting quite a bit of exposure this month.  The following is a video by Natchez resident Bill Slatter, who is interviewing World War II veterans in the area.

Click on the links to see the other stories.

Video created and produced by:

Bill Slatter Video Productions
423 Main Street
Natchez, Mississippi 39120
(601) 446-9401

Many thanks to Michael Norell for putting it on You Tube for me. I owe you one, Michael.





Friday, November 20, 2009

Looking for Blossom



This is one of Natchez's more recent characters. He's been walking around town for the last few years, going into people's yards, picking their flowers, and taking them around town to sell to tourists. He had a bad limp, and appeared to be homeless.

In addition to making homeowners with deflowered gardens angry, he also caught the wrath of shopkeepers downtown, who would chase him away for panhandling or squirting samples of their expensive perfume onto his handkerchief.

He came by the shop where I work one day and I invited him in to sit for a photograph. He said his name was Morris, and that he was once a civil engineer. He told me he'd had his pelvis crushed in some kind of accident, which is probably true, considering the limp he had. Other than that, I have no idea if there was any truth in anything else he told me. He said he was a Katrina refugee, and that made perfect sense. I could just picture him in the French Quarter, along with scores of other sad stories.

He dressed flamboyantly, with a big leather hat topped off with a feather; a sleeveless, leather vest often with nothing underneath but his dark, dry skin stretched taut over his ribs and thin frame. And lots of chains and jewelry. He sometimes wore a gold cape, and carried a cane, limping through town on the lookout for some money.

He started coming by pretty regularly after that first visit, because I didn't have the heart not to give him a little money. He had what looked like needle tracks in his arm, and there were days when he was clearly out of his mind. But he was never a threat. Just one of the sad stories of the mentally ill who have no place to go.

Then about three months ago, he stopped coming by. I thought he was probably cooling his heels in the city jail as he had been once before for a few days. I waited. He never came back.

One day I saw an entry in the police report in the paper that a body had been found on Broadway Street, and I wondered if it was he. There was no story about the body. I've asked around, and everyone seems to think he's dead, but no one knows any particulars. I've heard he was hit by a car, but it's anybody's guess as to what really happened or where he is.

It's really none of my business, but I would like to know whether he's alive or dead. If anyone knows about Blossom, please let me know. Just because. Thanks.

Tuesday, November 3, 2009

New Orleans Halloween





Shantybellum found itself with a beautiful room way up high on the 7th floor of the Royal Sonesta Hotel in the New Orleans French Quarter for Halloween. For a city that's gotten such bad press since Katrina, I was pleasantly surprised. The New Orleans joie de vivre is as rampant now as it ever was with people laughing, dancing in the streets, and enjoying that good old voodoo magic of the Crescent City.

Everyone seemed happy to be alive and happier still to be in New Orleans, smiling at one another and acting like old friends. I met a man outside the hotel who told me he'd worked on the Golden Gate bridge in San Francisco. Next thing I knew, he'd run inside and come back out to give me a rivet from the bridge. Okay....I know it sounds like something only a guy would love, but hey...sometimes I'm a little weird. I loved it.

In its wake, Katrina seems to have left a kinder, gentler mark on New Orleans. This was probably most evident as we were walking in the French Quarter on Saturday afternoon. We turned a corner to find a man crawling on the sidewalk on all fours with two policemen standing over him. Rather than hauling him up and dragging him off to jail, the two were showing real concern.

"Sir, are you okay?"

"Is there a medical problem you can tell us about?"

Honestly. I know it sounds as though I might be speaking tongue in cheek, but I'm not. They were going out of their way to handle it well. (Note to self -- write the New Orleans police and tell them thank you.) Is there still crime in New Orleans? Indubitably. But if Halloween is any indication, then I think things will work out.

We met another of New Orleans's finest later that night when the biggest, blackest, most beautiful warmblood horse I've ever seen stood sentry in the Quarter with his rider.

"How tall is he?" I asked.

"Eighteen hands," the policeman replied, smiling and clearly enjoying the Mississippi-sized river of masked revelers pouring down Bourbon Street like flotsam from a sunken paddlewheel.

"What's his name?"

"Willie," he replied.

"What's your name?"

"Willie," he replied.

"Willie?"

"Yes, Willie!"

We had a willy, willy good time.

Sunday, October 25, 2009

Ferriday Songfest Brings Out the Talent in Everyone
















It felt like the day after Christmas this morning as attendees and hit songwriters dragged their bags and guitar cases through the lobby and out the door of The Grand Soliel. Unlike the night before, we were quiet, letting the Sunday-morning letdown settle in on us like a dreary winter afternoon. Saturday night's Yin was replaced with Sunday morning's Yang and we all went back to where we came from.

But attendees at Saturday's events were going back home armed with critiques of their songs, suggestions, and new ideas on which to build their skills.


And the music! All I can say is that if you weren't there, you missed something rare and wonderful. Some of the most talented and successful songwriter/musicians in the music industry played alongside songwriting hopefuls with talent to spare and enthusiasm for their craft. Click on the videos below for a sample of each songwriter performing their own hit songs.

Shantybellum joins Ferriday in thanking the following songwriters for coming to town and generously sharing their expertise, talent and experiences with those who hope to join them in success. To learn more about these talented people, click on their names.


Also on hand at the songwriters workshop was Lynn Ourso, music director at Louisiana's Office of Entertainment Industry Development. Ourso presented Tommy Polk with the official state resolution declaring 2010 as The Year of the Song. Ourso joined Tommy and Country Boy Mark Porter to take a little tour to see and hear about Ferriday's plans to return to its roots and become recognized as a music-tourism destination for music lovers the world over. To read more on Ferriday's plans, go here.



Friday, October 23, 2009

Second annual Ferriday Songfest Songwriters' Workshop


Shantybellum is excited. Tomorrow morning at 9 a.m., five hit songwriters will converge at the Arcade Theater in Ferriday, Louisiana, to impart their songwriting wisdom on hopeful songwriters from Louisiana, Mississippi, Tennessee, Alabama and Kentucky.


Returning this year will be Odie Blackmon, Tia Sillers, and Tommy Polk, joined by first-time panelists Mark Selby and Byron Hill. These talented, successful writers and producers, all with decades of experience in the music industry will tell it like it was, like it is, and how they got into the game of songwriting and stayed there.

To learn more and sign up for the workshop, visit www.ferridaysongfest.com. It's only $20. You can also read about it in the Natchez Democrat here.

Here's what one songwriter says about last year's workshop:

Attending Ferriday songfest was one of the greatest things I have done yet. The panel of people you get to spend the day with is priceless. Since the day I met Tommy Polk, he has been a friend. Ralph Murphy is one of the
most knowledgeable people I have been fortunate enough to meet, whom I met in Ferriday. I love you Ralph!!

During the lunch break of the day, I happened to sit down at the same table with a girl who ended up being a wonderful friend and who also introduced me to a Sony rep. I played for him and have been in touch with him ever since. I want to thank Tommy Polk for creating such great opportunities for aspiring writers such as myself to get in front of an amazing panel of people. I hope to make it next year!

Since attending the Ferriday songfest, last year I have been very fortunate to meet and collaborate with some incredible writers and producers. With each trip to
Nashville, I learn so much from the different people I meet.

On my most recent trip to Nashville, I met with two publisher friends whom I have stayed in touch with for about a year now. I am able to send them my latest worktapes and they give me feedback. I have also had the opportunity to write with writers who have had multiple number ones and have a countless amount of experience.

Just being in Nashville itself is inspiring to me. I just recently started high school and even though we are only a few months into the year, I have already had lots of ideas for my hook book from what goes on. Over the summer I got to play and was interviewed in a radio segment and started my music myspace (myspace/haleygeorgiamusic) which led to booking my own shows. I also attend writers nights and joined the NSAI local chapter.

I am getting ready to head back to Nashville in early November for some writing, publisher meetings and some rounds. I feel with each trip I get closer to reaching my ultimate goals, as Ralph says, "You must be present to win."

Hope to see you guys in Nashville!!

~~ Haley Georgia Brucker


* Photo by Elodie Pritchartt


Friday, October 9, 2009

Ghost Stories



When I was a little girl, one of my very bestest friends in the whole world was Alma Carpenter, who lived in a huge, beautiful old house in the middle of town called Dunleith. Built in the 1840s, Dunleith is reminiscent of the Parthenon, surrounded by a wide two-story gallery supported by huge columns.

Alma and I had often heard the sad, tragic tale of Miss Percy, who returned to this country from France after a failed romance with a French nobleman. It was said she could be heard playing plaintive tunes on her harp in the evenings. Although I listened with all my might for her melancholy songs, I never heard them, and was convinced until one evening in the early 1970s that the story was a farce.
The Carpenter Family

That night, Alma and I were upstairs in the house, alone, save for an older sister. We were watching television when we heard a sudden hollow beating throughout the house, like the heart in the bosom of a heartsick giant. It seemed the very house had a pulse, and was watching us with malevolent eyes.

"What was THAT?"

"Oh, my gosh. I don't know!"

"I'm ascared!"

"Me too!"

Finally, we went and retrieved said older sister, who went downstairs to investigate. Grabbing the long-handled feather duster, Alma and I crept downstairs behind her, ready to defend her against all evil things.

"Oh, for Pete's sake," said sister. "It's just Joe"

"Huh?"

Alma's brother Joe, who'd been out at a party, tumbled in the door.

"Thanks," he said. "The door was locked; I thought I'd never get in."

Shew! Well, so much for Miss Percy, although I swear I thought I heard something one time while playing in the attic, and could've sworn the rocker by the window had started moving on its own.

Okay, so maybe I don't have the greatest ghost story in the whole wide world, but my good friend Courtney Stacy-Taylor does. Hers was just published in Country Roads Magazine. You can read about it here. I highly recommend it.

* Photo and story by Elodie Pritchartt

Saturday, September 19, 2009

The Wait -- A Short Story


They waited out the morning in a sad little coffee shop just off the interstate, one of those places 200 miles from nowhere that claimed it was famous around the world for is special chili and pecan logs. It had looked like an exciting place to wait for the weather to let up, but it was just another tired diner with dirty floors and bad coffee. Like motels, she thought. They seem so nice, but when you get there and check into your room, there's always one pubic hair in the tub.

"I wonder if anybody famous ever stopped here," she said, looking around at the rows of shelves with ceramic praying hands and little glass bells with gold lettering telling one and all that Oklahoma is the OK state!

A metal stand offered personalized name plates for children's bicycles. Do kids even ride bikes anymore? She couldn't remember -- Jane, Matthew, Amanda, Johnny -- not a Pilar among them. Mother wanted a special child with a special name.

"Those names are so common," she'd said. "We're different."

Pilar picked at her salad -- iceberg lettuce with freezer burn, a mealy tomato and a slice of hard-boiled egg.

"If you're not gonna eat that, I'm getting a go box," said Joe. He reached across the table. "Want that egg?"

"You know I don't eat eggs," she said, and sighed, her eyes on the door. "You know that."

It was on a road trip to the coast the summer she was five. Her brother got carsick and threw up in the pail her mother had brought along for such emergencies. It was hot in the car. Sweat trickled down the back of her neck and a wet film on the backs of her legs made the plastic seat covers slippery as she tried to get purchase on the seatback in front of her, searching for fresh air that didn't smell like bile. Tried not to hear it.

Her mouth full of rubbery egg, she suddenly couldn't swallow.

"Spit it in the bucket," Mother said.

But, she couldn't lean into that bucket. She couldn't spit it out and she couldn't swallow, and she was trapped in the car and began to cry until they finally pulled over and she tumbled onto the macadam, where she spat and wretched, and pee ran down her legs and soaked her socks as an 18-wheeler blew past. It blew its horn and rocked the car with a sudden blast of heat that felt like rage.

No more eggs.

"You know," said Pilar, "if it wasn't for people needing to pee, this place probably wouldn't even be here. Why can't we ever stop someplace nice?"

"Get a job and we can stop someplace nice," said Joe through a mouthful of Reuben on rye. A fat drop of greasy cheese dripped down his chin.

He watched as the rain mixed with sleet outside.

"Can we go by that little town with the square on the way home," asked Pilar.

"We got to get back early," said Joe. "I want to wash the salt off my truck."

The truck. Joe spent every weekend on the truck -- changing the oil, adding mud flaps, bug guards, trailer hitches.

"Must be something bad wrong with that truck," said Don next door. "Never saw anything like it."

"They missed a spot with the clear coat up here by the mirror," said Joe, pointing to the door. "See?"

"Nope. I don't see it," said Don.

"Look. Lemme pull it into the garage. If you lay down on the ground and look up the side of the door into the light, you can see a spot right there."

"Nah. That's okay," said Don, shaking his head. "I've got stuff to do."

"If they don't fix it, it'll rust out. Be a big problem down the road," said Joe, as Don waved him off and went back into his house.

"You pay $30 grand for a truck, they better make it right," said Joe, his voice getting louder.

"Nothing's ever perfect," said Pilar. "Why is it always like this? Always so unpleasant?" She knew there would be a fight at the dealership. Just like the time they painted the house. Like the time they ordered carpet. She'd come to dread the words, "I want to talk to your supervisor."

"If they'd get it right the first time, it wouldn't be," said Joe.

Joe pulled the ticket for the food from beneath the napkin box. "Let's go."

He examined each item. The leathery little woman who'd waited on them sat behind the register by the door.

Pilar wondered where she lived, where she went when they closed, way out here in the middle of nowhere.

"I wonder who's buried in that little graveyard over there," said Pilar. "There's not even a church out here. Why's there a cemetery? Nothing around for miles except a place to pee and die."

"They probably died waiting to get some service in here," said Joe. The woman at the register slammed the cash drawer and shoved his change at him. Pilar pretended not to hear.

On the way out, Pilar bought a souvenir, an ashtray with a little green snake coiled around it. Written in the base: A pot to hiss in.

Back on the entrance to the interstate, they edged forward behind a line of other cars.

"I wonder where all these people are going," said Pilar. "Sometimes I want to pick a car and follow it, see where it goes."

"I need you to follow me to the body shop in the morning," said Joe. "I want them to check a valve."

"I used to dream of driving past school in the mornings," Pilar said. "Just keep on going until I found a place to stop and start over. Be someone new. You know?"

"Where'd you put my toothpicks?"

"You left them in the console."

They pulled back onto the road, merging with traffic as the car found its speed and eased into a rhythm between the seams on the roadway. Pilar thought about her best friend from school, wondered where she was and what she was doing.

A teal-blue Honda crossed in front of them and took the next exit. Pilar watched as it rolled down the ramp and turned left onto the straightaway that stretched off into the distance.

*story and photo by Elodie Pritchartt

Thursday, September 10, 2009

Battle of the Belles


Our friend Gary alerted us to a delicious article reposted in Time magazine about the acrimony between the Garden Clubs here in Natchez in th 1940s. You can read it here. A paragon of humility, Gary wants it known that it wasn't he who found the article, but our friend Ann. We love you anyway, Gary.

When I showed the story to my father today, he told me that they used to have the pageant in the building that used to be the Natchez museum and has now been renovated as the Federal Courthouse.

"There was a piano in there that belonged to the Natchez Garden Club. I remember someone scratched Nazi Garbage Club into it."

Oh, my! Those women HATED each other.

Saturday, September 5, 2009

Mississippi Blues Trail -- Papa Lightfoot





*Caption: Founder of the Natchez Bluff Blues Festival and Natchez Blues Heritage Association Eric Glatzer and Director of Cultural Heritage Tourism for the City of Natchez Darrell White unveil the Blues Marker at Jack Waite Park on September 4.


While you hear plenty about Blues musicians in the Mississippi Delta and Highways 61 and 49 being the birthplace of the Blues, you don't hear much about Blues music or musicians in Natchez. This is largely due to a tragedy that occurred here in 1940 -- the Rhythm Club fire.

Headlines appeared in newspapers across the country: "212 NEGROES PERISH IN NATCHEZ BLAZE". Click on the link to read about it in depth.

My father was 12 years old at the time, and knew several of the victims.

"I rode my bicycle over there to see what was going on," he said. "The whole town smelled like burned flesh. It was a nightmare."

At any rate, many people believed the tragedy was God's judgment on the evils of music and dancing, and it was thus that for all practical purposes, much of the music as well as people, died in the flames in Natchez that night, at least for a while.

Shortly after the fire, however, The Library of Congress recorded several local Blues and Gospel singers, one of whom was Alexander "Papa George" Lightfoot, who became one of the foremost harmonica players of the post-World War II era. Papa Lightfoot always carried a harmonica in his pocket, and was happy to play at the drop of a suggestion.

And so it was that Friday, September 4, found Shantybellum and friends at Jack Waite Park honoring the late Blues musician when the Mississippi Blues Commission unveiled its latest Mississippi Blues Trail marker in Natchez. Also honored on the marker was Natchez Bluesman Y Z Ealey.

Blues entertainment was provided at the event by the Natchez Bluff Blues Band, featuring Y Z
Ealey
with Gray Montgomery, Robbie Cloy, Stan Smith, Tommy Polk and Jack Kelly.




*Be sure to click this links in this post. They make for some fun and fascinating reading.

The Mississippi Blues Trail is a project of the Mississippi Blues Commission
Photos, story & videos by Elodie Pritchartt

Tuesday, August 4, 2009

Natchez Characters - Tommy Polk 2009 Kisatchi-Delta Regional Grassroots Citizen of the Year


Kisatchie-Delta Regional Executive Director Heather Smoak Urena presenting 2009 Regional Grassroots Citizen award to Tommy Polk

Natchez/Vidalia resident Tommy Polk was honored with the 2009 Regional Grassroots Citizen Award at the annual Kisatchie-Delta Regional Planning & Development District banquet on July28 at the Main Street Community Center in Pineville, Louisiana.

This is the third year Kisatchie-Delta Regional has presented the Grassroots award, which is intended to recognize an individual outside of local government and/or the professional field of community and economic development for their contributions with the Kisatchie-Delta District.

Polk, a native of Concordia Parish, returned to the area in 2007 following a successful 20-year career as a songwriter in Nashville, Tennessee, and in the hospitality industry in Clarksdale, Mississippi. His Natchez guesthouse, Shantybellum, is an adjunct to his guesthouses in Clarksdale.

In addition, Mr. Polk has contributed his talents both in business and in music to assist in the revitalization of the music culture in Ferriday, Louisiana.
In 2008, Polk received funding from the Louisiana Lieutenant Governor’s office and the Louisiana Department of Culture, Recreation and Tourism for the first annual Ferriday Songfest, which was held in October and was attended by songwriting hopefuls from Louisiana, Mississippi and Texas.

Mr.Polk was nominated for the award by Concordia Parish Economic Director Heather Malone with a letter of support by Vidalia Chamber of Commerce Director Jamie Burley.


“Tommy is always there with a willing hand as well as a smile on his face,” said Ms. Burley. “His kindness and generosity have affected not only me and my family, personally, but also the Kisatchie-Delta Region. It would be nice to have a few more Tommy Polks roaming Concordia Parish."


Kisatchie-Delta Regional Executive Director Heather Smoak Urena agreed: “ [Ms. Burley] specifically mentioned Tommy’s enthusiasm, originality, good-natured outlook, and willingness to go the extra mile to help both individuals and the community,” said Urena, “and we are pleased to join her in these accolades.”


The award came as a surprise to Mr. Polk, who said, “I’m very honored and deeply touched to have received such wonderful recognition.”

The Kisatchie-Delta Regional Planning & Development District, Inc. is a nonprofit, planning and development agency serving Avoyelles, Catahoula, Concordia, Grant, La Salle, Rapides, Vernon and Winn Parishes in Louisiana. The agency provides economic development assistance to the region in order to create and retain jobs and improve the quality of life in the area.




Story and Photo by Elodie Pritchartt

Monday, August 3, 2009

Matters Familia - Hidden Treasures









My great aunt Annet could render some beautiful scenes in pen and ink. In the entire time I knew her, though, I'd never seen her do it and my only evidence was two pen-&-ink drawings of some sailboats that were framed and hanging on her wall.

In going through her house recently, I came across two more stashes of artwork, all done in 1905 and 1906 when she was 10 and 11 years old. They're wonderful. I also found a lovely photo of Annet in her graduation dress. Thought I'd share.

Saturday, August 1, 2009

Natchez Characters - Phil and Jimmi Lou Vasser







Our friend Courtney Taylor has a new article in Country Roads Magazine this month about two of our favorite Natchez characters -- Phil and Jimmi Lou Vasser -- who've lived and loved the lives they'd always dreamed of. You can read the article here.

Story by Courtney Taylor
Photos by Elodie Pritchartt