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Wednesday, October 27, 2010

Howard's Revenge

Pictured from left, back row:   Howard Pritchartt, Jr.; Devereux Marshall; Elizabeth Patterson; Bubba Patterson; Sophie Junkin; Mimi Brown; Neville Marshall
Seated, from left, front row: Alma Kellogg, Andree Benoist, Sally Junkin 
The identity of the woman in the photo is unknown.  I do wish I knew who she was.  She's got the sweetest expression on her face, and should be recognized for playing the role so well.  She's a good sport, to boot.

Utter the name "Katherine Miller" in Natchez, and the reactions you get vary wildly. She's either the patron saint of Natchez or evil incarnate. Sometimes both. But you have to give the old girl credit, for it was Katherine Miller who spearheaded the formation of the Natchez Pilgrimage, which saved this town from certain doom.

During the 1930s, Katherine traveled the country with a projector slideshow of antebellum homes, inviting prospective visitors to see how the Old South used to live. Because of the success of her campaign and the cooperation and efforts of the other ladies in town, people who were barely eking by during the Great Depression were able to hang onto their homes in Natchez.

For over sixty years, she ruled Natchez society engendering fear, admiration, adoration and loathing in equal measures. Under her direction, grown men were persuaded to dress up like Southern planters and dance the Soiree for strangers. They even allowed their wives to smear rouge and lipstick on their sons, and dress them in lace and knickers and ballet shoes to dance around a Maypole with little girls in hoopskirts.

Sure, for the rest of the year they wore camouflage, slapped each other on the back, broke wind, hunted wild game, played football and talked about the price of oil. But March belonged to the women. No disgrace was too demeaning to keep them from following the orders of the matriarchs of Natchez.

When General Douglas MacArthur visited Natchez after World War II, a photographer captured a photo of him being told to look at the camera by The Mighty Katherine Miller. She was scared of nobody, and her legacy lives on even now as every year March comes in like the lion....or lioness, and goes out like the lamb.

It was under the shadow of this matriarchal monopoly that my father, Howard Pritchartt, spent his childhood. His mother, Bessie Rose, was Katherine's sister, and boy, was she disappointed when her only child wasn’t the girl she’d always wanted. She'd had visions of playing dress-up with a beautiful little girl. Not to worry. Bessie Rose decided she'd dress him any way she darned well pleased, and that's exactly what she did.

Every morning she'd send young Master Howard off to school in a sailor suit or Little Lord Fauntleroy outfit, where he'd get beaten up for wearing sissy clothes. When he got home, she would rage at him because he'd ruined his outfit. He remembers one incident, in particular, when she ripped off his jacket and started jumping up and down on it in a fit of fury as he backed away, awed and terror stricken.

Like my great aunt Katherine, Bessie Rose worshiped at the altar of high society, and for her, every night was a party. Nearly every evening, they’d leave Howard at home with his elderly grandmother. He and the old lady took care of each other. He would bring her milk toast and they would keep each other company in the silent house. It was a lonely time.

One night, he begged, "Please don't go, Mubba. Stay home, please?"

"You ought to be ashamed,” his mother replied. “You ought to be happy so many people want us to join them.”

So he grew to hate social events and all that they entailed. As he grew older, my grandmother and her sister tried teaching my father the importance of the social graces. The harder they tried, the more he rebelled. He wanted nothing more than to be a man’s man, happiest when he was out on the river with his friends, hunting and exploring the muddy banks and back bayous of the Mississippi.

Handsome though he was, he always felt at odds when dressed for a party. And though he did his part by participating in the springtime madness that is the Natchez pilgrimage, he never tired of thumbing his nose at it all.

He still laughs when he remembers that when he was still in the army, his aunt Katherine sent a letter to his commander asking him in all earnestness if they could let him come home for the month of March so that he could be king in the pageant.

“They’d never heard of Natchez,” Daddy laughs. “Those women thought Natchez was the center of the universe and that, of course, I should be excused to be king. God, I was embarrassed.”

One of his fondest memories is of his best friend, Johnny Ogden, sneaking into the City Auditorium the afternoon before the pageant with a dead fox he'd found beside the road. Dragging the fox by the tail, Johnny made his way up and down the aisles, over and under the seats of the room, laying down a scent and then slipping back outside.

They roared with laughter that evening when during the tableau for The Hunt, the beagles and hounds used for the scene broke their leads and climbed across horrified tourists' laps, baying loudly, drooling and peeing with excitement, as they tracked the scent of the long-departed fox.

And now at eighty-five years old he, like Katherine, is one of Natchez’s most colorful characters. And although he lives in the country in a house with ancestral portraits on the wall, more often than not you’ll find him wearing a wife-beater t-shirt with a do-rag on his head, driving his tractor all over the property, happily pushing things around, stopping to eat a can of sardines, an onion, and a slice of bread. He spends his days feeding the deer, dogs, cats, birds, squirrels and other assorted animals that call his place home.

From left:  Howard Pritchartt and Joe Remondet, circa 1979

And like his aunt Katherine, he's loved (and loathed) in fairly equal measure, but no one laughs louder or longer at Howard Pritchartt than Howard, himself.

And so, at last, with all that being said, I now offer you his original poem about Natchez, making no excuses for the portions of it that are politically and socially incorrect.

If you doubts your social fame, 

git an old house and give it a name. 

If you still lacks social position,
git it put in the Pink Edition. 

If your position is still not clear,
git it decorated by a Natchez queer.

But, really, the mostest important of all
Is finagle your brat into the Pilgrimage Ball.
But really the mostest, most ultimate thing
Is finagle the brat into Queen or King.

We're all aware of the social mystique
that sticks to the gal with the finest antique.
So, ladies, ladies, let’s hold a quorum,
to see who’ll rule the Antiques Forum. 

To us this is now our holiest cause, 

since we’s all well into menopause.

So you give a luncheon and I’ll give a tea. 

And I’ll snub you and you snub me.
And when it’s all over, we’ll make our amends,
pretending to be the closest of friends.

What makes it all so goddamned funny
Is all it takes is a little money.
And when it’s all over, we’ll have to admit
The whole damned thing is a big pile of…
old furniture.

~~ Howard Pritchartt, Jr.
circa 1985

Story by Elodie Pritchartt

Monday, October 25, 2010

3rd-Annual Ferriday Songwriters' Songfest a Success

Aspiring songwriters from California, Texas, Louisiana, Mississippi, Alabama and Florida attended Ferriday's third songwriters' workshop on October 22.

The workshop saw a couple of new faces in this year's panelists:  three-time Grammy winner Ashley Cleveland and  husband/co-writer/premier guitarist Kenny Greenberg from Nashville.

Songwriting instructor Odie Blackmon, also a Grammy-nominated songwriter returned for the third time this year with a sampling of the curriculum he teaches at Vanderbilt University's music program.  Armed with song formats and samples, he laid out for attendees the formats used in songwriting.



Our own local hit songwriter, Tommy Polk, discussed topics ranging from copyright law to the changing nature of the music industry due to the rise of the Internet.

Director of the Alexandria, LA, Chapter of the Nashville Songwriter's Association International and the Alexandria, LA, branch of Tipitina's Music Co-Op, Aaron Sibley, discussed the advantages offered to songwriters in both organizations.

Aspiring songwriters learned that as members of these organizations, they have access to low-cost utilization of their facilities and programs including Pro Tools, Photoshop, etc. instruction, weekly jam sessions, monthly songwriting workshops, and networking opportunities.

This year's group of attendees included a higher-than-usual number of Christian songwriters, noted Odie Blackmon, who credited Ashley Cleveland and her soulful Christian music with the increase.

Ashley discussed ways to incorporate scripture and liturgy into personal experience to create an intimate, unique style of your own in faith-based songwriting.

To illustrate her points, she included performances of some of her own faith-based pieces into her lecture, accompanied by her husband, guitarist/songwriter Kenny Greenberg.


"I've paid hundreds of dollars to go to songwriters' workshops like this," said Steve Miller, an attendee from Denton, Texas.  "But this was better by far.  For $20, it can't be beat."

Every attendee at the workshop received a personalized critique of a song they'd brought for analysis.  The workshop ended at Bowie's Tavern in Natchez with  an open mic performance by both attendees and panelists.  Needless to say it was an impressive performance on all counts.

Sponsors of this year's Songfest include the Delta Music Museum, the Friends of the Delta Music Museum, Mayor McGlothin and the Town of Ferriday,  Representative Andy Anders, Stan’s Strings, WalMart, Budweiser, Phat River Studio, FOX 48, Solid Gold Saturday Night,, Natchez Grand, Bowie’s Tavern, Louisiana Economic Development, Louisiana Music Hall of Fame, BASF and Tipitina’s Music Co-ops.  Along with immense help and support from Guylyn Boles, Cyndie Dillon, Aaron Sibley and the Ferriday Town Council.